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Random House

Midnight in the Garden of Good and Evil [Hardcover] Berendt, John

Midnight in the Garden of Good and Evil [Hardcover] Berendt, John

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Product Description Shots rang out in Savannah's grandest mansion in the misty,early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this hauntingly beautiful city of moss-hung oaks and shaded squares. John Berendt's sharply observed, suspenseful, and witty narrative reads like a thoroughly engrossing novel, and yet it is a work of nonfiction. Berendt skillfully interweaves a hugely entertaining first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case. It is a spellbinding story peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman's Card Club; the turbulent young redneck gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the "soul of pampered self-absorption"; the uproariously funny black drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young blacks dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else. Midnight in the Garden of Good and Evil: A Savannah Story is a sublime and seductive reading experience. Brilliantly conceived and masterfully written, this enormously engaging portrait of a most beguiling Southern city is certain to become a modern classic. Amazon.com Review Voodoo. Decadent socialites packing Lugars. Cotillions. With towns like Savannah, Georgia, who needs Fellini? Midnight in the Garden of Good and Evil takes two narrative strands--each worthy of its own book--and weaves them together to make a single fascinating tale. The first is author John Berendt's loving depiction of the characters and rascals that prowled Savannah in the eight years it was his home-away-from-home. "Eccentrics thrive in Savannah," he writes, and proves the point by introducing Luther Diggers, a thwarted inventor who just might be plotting to poison the town's water supply; Joe Odom, a jovial jackleg lawyer and squatter nonpareil; and, most memorably, the Lady Chablis, whom you really should meet for yourself. Then, on May 2, 1981, the book's second story line commences, when Jim Williams, a wealthy antique dealer and Savannah's host with the most, kills his "friend" Danny Hansford. (If those quotes make you suspect something, you should.) Was it self-defense, as Williams claimed--or murder? The book sketches four separate trials, during which the dark side of this genteel party town is well and truly plumbed. From Publishers Weekly After discovering in the early 1980s that a super-saver fare to Savannah, Ga., cost the same as an entree in a nouvelle Manhattan restaurant, Esquire columnist Berendt spent the next eight years flitting between Savannah and New York City. The result is this collection of smart, sympathetic observations about his colorful Southern neighbors, including a jazz-playing real estate shark; a sexually adventurous art student; the Lady Chablis (' "What was your name before that?" I asked. "Frank," she said.' "); the gossipy Married Woman's Card Club; and an assortment of aging Southern belles. The book is also about the wealthy international antiques dealer Jim Williams, who played an active role in the historic city's restoration--and would also be tried four times for the 1981 shooting death of 21-year-old Danny Handsford, his high-energy, self-destructive house helper. The Williams trials--he died in 1990 of a heart attack at age 59--are lively matches between dueling attorneys fought with shifting evidence, and they serve as both theme and anchor to Berendt's illuminating and captivati
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